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HopStep Collection

HopStep pot in lead crystal glass perfect for oil, sake, tea or infusing shown on a white background.HopStep pot in lead crystal glass perfect for oil, sake, tea or infusing shown on a white background.
HopStep pot in noir porcelain perfect for oil, sake, tea or infusing shown on a white background.HopStep pot in noir porcelain perfect for oil, sake, tea or infusing shown on a white background.
HopStep - Belge Noir Sale price€4.800,00
HopStep pot in kiln-cast blown glass shown on a white background to highlight its sculptural, organic form.Kiln-cast blown glass pot on a warmly lit table, with light filtering through the translucent form and foliage inside, showcasing craftsmanship and material depth.
HopStep - Blown Glass (Brown) Sale price€180,00
HopStep pot in kiln-cast blown glass perfect for sake, oil, tea or infusing shown on a white background Kiln-cast HopStep glass pot on a warmly lit table, with light filtering through the translucent form and foliage inside, showcasing craftsmanship and material depth.
HopStep - Blown Glass (Grey) Sale price€180,00
HopStep pot in ochre porcelain, perfect for oil, sake, tea or infusing shown on a white background.HopStep pot in ochre porcelain, perfect for oil, sake, tea or infusing shown on a white background.
HopStep - Porcelain (Ochre) Sale price€240,00
HopStep pot in brown porcelain, perfect for oil, sake, tea or infusing shown on a white background.HopStep pot in brown porcelain, perfect for oil, sake, tea or infusing shown on a white background.
HopStep - Porcelain (Brown) Sale price€240,00
HopStep pot in red porcelain, perfect for oil, sake, tea or infusing shown on a white background.HopStep pot in red porcelain, perfect for oil, sake, tea or infusing shown on a white background.
HopStep - Porcelain (Red) Sale price€240,00
The HopStep family come in kiln cast glass, blown glass, porcelain and stone.
This piece is the pivotal one. The name comes from the initial sketched gesture that Aldo needed to get out. A bouncing tick. A hop and a step.

The movement gives the piece its life. Making the final piece in cast crystal is complex, each stage, from building the moulds to hand-sculpting the final piece is slow and precise. Figuring it out involved a two-year research process with Richard Whiteley of Corning Studio, into the making of HopStep and Moustache. Richard is an artist and teacher at Corning. His work focuses primarily on cast glass and explores voids as the primary constructive agent. In his words: ‘The works are built from the inside out; voids are ordered first and external structures are built to encapsulate these spaces. The works explore negative space using glass as a substrate’. Future editions will be made at our studio in Ireland as the ultimate goal is the development and transfer of skills.